Michael Hughes, Zadar harbour (2006)
From an ongoing book project called SouvenirsMichael G.
Takenobu Igarashi, Noh. UCLA Asian Performing Arts Institute 1981. Los Angeles - Washington, D.C. - New York, 1981
- Alison Munn
Takenobu Igarashi, UCLA. University of California, Los Angeles, 1976
- Alison Munn
Takenobu Igarashi, The 15th Summer Jazz Festival, 1983
- Alison Munn
Graphis Annual™ 1985 /86. Designed by Takenobu Igarashi
-Alison Munn
Vik Muniz, Valerie Belin (2006)
Selection for The Responsive Eye
Emilia
Graphis Annual™ 1985 /86 edition - From top left: • Icon designed for the American Protection Industries, Inc. Designed by: Gary Hinsche • Logo for the Central Typesetting Company. Designed by: Emmett Morava. • Icon designed for GoTech™ Inc. Designed by: Peter Adam. • Icon designed for landscape designer, David Baldwin. Designed by: Alan Colvin. • Icon designed for Dacosystems™. Designed by: Emmett Morava. • Icon fro the Japanese bank Mitsui™. Designed by: Takenobu Igarashi. • Logo for Transportes Urbano de Sevilla. Designed by: Roberto Luna & Fernando Mendoza. • Icon designed for the amalgamation of two flour mills. Designed by: Rosmarie Tissi. • Icon designed for the LAOOC (Amateur Athletic Foundation). Designed by: Ray Wood.
- Alison Munn
David Lewis-Baker (2008)
One of a series of digital conceptual abstractions created after an illuminating discussion concerning the location of the wellspring of pure abstraction deep in the human mind and inner resources of the individual, with fellow abstractionist Lee Kaloidis. The piece is influenced in style by both cubism and surrealsm, but in this case that is irrelevant to the message.-Alison Munn
Robert Lewis-Baker, 2008
One of a series of geometric architectural abstractions loosely influenced by the late cubism of Lionel Feininger.
- Alison Munn
Brice Marden, Cold Mountain Addendum
Selection for The Responsive Eye
Emilia
